The Ragpicker's Dream

 

'Spain, Valencia, 1952, Robert and Mary Frank' By Elliott Erwitt

Back in November of last year, I posted about the OMD album cover for their brilliant 1980 album Organisation which featured the wonderful photograph shot by Richard Nutt of the cloud-covered peak of Marsco in the Red Cuillin mountains, on the Isle of Skye.

I'm posting again with another album cover image from Mark Knopfler's 2002 album The Ragpicker's Dream. I've been a fan of this album for several years and recognised the Elliott Erwitt image from a book by the photographer I picked up in Norfolk many years ago.

The photograph still had the power to surprise me though. It's only recently that I've found out the image contains the presence of two great photographers. Elliot Erwitt, behind the camera, and Robert Frank who is dancing in the photograph with his wife Mary.

Three years after this photograph was taken, Swiss photographer Robert Frank went on a journey through the United States that would later form his iconic 'The Americans' book.  The project is highly regarded as a classic piece of documentary photography.

Ironically the other book I was looking at before purchasing Elliott Erwitt's in that bookshop in Holt, Norfolk was... yep, Robert Frank's 'The Americans'. Why didn't I get it? Cost. It was very expensive!

Eleven Pictures

 

American troops land on Omaha Beach on D-Day. June 6, 1944.  Photograph by Robert Capa

Eighty years ago Allied forces waded ashore on the Normandy coast and started the liberation of Europe. Quite a few photographers accompanied the armada across the Channel, but the D-Day photographs that get talked about most usually belong to a certain Robert Capa.

During my years at college studying photography, the images came up quite a few times. Given that the images are iconic I was often surprised by the critical reaction from my fellow students and even the occasional lecturer. It often appears fashionable to criticise iconic or popular images to some extent, but the critics just missed the point. It usually ended in rather a good debate though.

The eleven Capa photographs from Omaha Beach certainly captured the moment. The images were taken during the second wave landing by the 1st Battalion, 16th Infantry Regiment, 1st Infantry Division.  From a personal point of view, I prefer Capa's later images during the Allies' fight through Normandy including the image of prisoners 

In recent years there has been further close examination of the images and the story behind the photographs. One thing is certain. The stories surrounding the making of the photographs just make Capa's images more intriguing.

Just a Number

 

Lost running shoe - Burnham Overy Staithe, Norfolk - 2016

There is a moment when you suddenly realise that your photography has aged. Those images you printed up in the darkroom, ah it seems like just yesterday, are in fact suddenly 25 years old. The very age you were when to took the photographs. It's a sobering thought.

Moments stay with you. I wrote on my main website blog about a personal important photography milestone over thirty years ago. The photograph was of the seafront at Colwyn Bay and it marked that moment when the camera and darkroom skills all came into line. I saw the image in my mind's eye and took the photograph using my camera and darkroom abilities. I still have that 10x8 black and white print framed on the wall.

Since then, many photographs have been produced, trailing behind like a ship's wake. I can divide the images into eras. The 1990s were the black-and-white film years, the 2000s were a roughly even mix of black-and-white and colour, and the 2010s were like the previous decade but with digital colour gaining dominance and mobile photography added. The jury is still out about the 2020s.

I think what I'd like to do in this 'era' is return to shooting a little bit of film. Probably not on the scale of twenty years ago, but a few rolls of HP5 or FP4 film through the F3 or F5 would feel good. 

As for the photographs getting older, you just have the nostalgic moment and carry on with the journey. After all, the age is just a number!

Feeding the Photography

 

Small Field on the Isle of Skye, Scotland - 2015

The last few weeks have seen me search for new sources of photography news after significantly reducing my use of social media these past couple of years. With the removal of Twitter (X) from my day-to-day life, I suddenly realised that I was feeling rather cut off from photography news. No news. No new photography. No sources of information at all. It suddenly dawned on me that needed to do something about that. 

A couple of weeks ago I found an old OPML export file in a Dropbox folder, made in late 2013. The file contained a list of all of the websites and blogs that I followed starting after 2007.  I have to be honest. I wasn't sure if the file would work or if the RSS feeds listed were still active! As it turned out, around 80% of the feeds were either no longer of interest, no longer active or had just disappeared completely. There was, however, a core of photography blogs that were still active.

The process of creating a new feed list has, though, been a great insight into the state of blogging in the world of podcasts and social media feeds. It certainly seems quieter but the dedicated blogger activity is still there. Several veteran blog names stood out on the RSS list, and to my amazement, these feeds were still active over a decade later. They may not post as often as they used to, but then that is probably to be expected.  

So far the new list seems to be working well. It needs building up a bit but the core feeds I'm interested in are there. If following these feeds also boosts my own blogging, I'll be happy with that too.

New Bert Hardy Exhibition

 

Photograph by Bert Hardy - The Gorbals Boys, 1948

You can't really talk about British documentary photography during the mid-20th century without talking about Bert Hardy. So it's fantastic to see that The Photographers' Gallery in London is having a long overdue retrospective of his work.

I first came across Bert Hardy's name during the early 1990s when I managed to buy the fantastic book 'Great Photographers of World War II' by Chris Boot. Along with the usual names like George Rodger and Robert Capa, the book also looked at the work and lives of some of the lesser-known combat photographers including Bert Hardy.

Hardy had been working for the Picture Post when he got called up and it was where he returned to after the end of the war. He stayed at the Picture Post until 1957 when the photojournalistic magazine closed due to falling sales caused by the arrival of television and other factors.

The photographer moved to being an advertising photographer due to the lack of work opportunities for photojournalists but by 1964 had left the industry completely to become a farmer. His images though have become iconic with the day-to-day life of people in post-war Britain probably among the best images shot during that period.

The Bert Hardy retrospective will be on at The Photographers' Gallery in London from 23 February 2024 - 02 June 2024.

Details about the exhibition, opening times, etc can be found HERE