Romantic vision

I came across this old Pathe news film from 1937, while i was looking through some old Hindenburg clips on YouTube. What strikes me about this film so much is 1) No sound 2) the beautifully romantic vision of flight that's portrayed by the footage.

It's the final five seconds of the film that i love. The Hindenburg disappears into a bank of cloud as the film comes to an end and the lack of sounds seems to add some poignancy. All you can here is the occasional crackle or pop from the soundtrack. Far better than some over-the-top period commentary.

The film celebrates the brief life of the Hindenburg Zeppelin, but it's the footage of the disaster itself that is usually remembered. An amazing fact of that day concerns Murray Becker, a photographer for Associated Press, who managed to skillfully shoot three great 4x5 shots (All that in about ten seconds) on his Speed Graphic, as the Zeppelin came down in flames.

How many frames?

Consett, North of England - February 2008

Think i'll be using the F3 again. I'm seriously becoming more and more impressed with that 35mm camera. At the moment i'm going through a tight shooting evaluation, as i commented about a couple of posts ago, and this camera seems to be perfect for shooting thoughtfully.

No motordrive. Simple really, but it's definitely a factor in being a more controlled snapper. I can understand why many pro photographers like Leica rangefinder cameras. Quiet, small and not motordrive to burn through a film in twenty seconds. Exactly how many frames do you need to shoot to capture a moment in time? One? Three? twenty four?

Podcast promises

Hmm. The podcast project hasn't exactly gone to plan. I originally wanted to get it set up and running in April, but it's been a matter of having the time to get a good understanding about how to do it. I'm just about there but I'm not making anymore promises. It will arrive as a surprise sometime soon is all this photographer is willing to say. The podcasts will be part of the multimedia area of the website, which is still in the early stages of construction. I have quite a few ideas to add more interactivity and variety to my website. I've seen a lot of multimedia work that I've loved recently. I especially admire the remarkable work that the New York Times is doing in multimedia presentations. Sound and vision will be exciting formats for me to put together and experiment with. I'll be posting more news about this project and other ideas over the coming weeks.

Square window

A bit more detached photography but this time in Iraq. This image is just one of several taken from the window of a military Humvee. The square window really adds a sense of detachment from the world around you - like looking at something through a TV screen. You're there... but not there.

Benjamin Lowy's website has a wide selection of photography to look at and can be found HERE.

Detached from reality

If you ever needed an example of how being behind a camera can detach you from reality...then this is it. The cameraman was filming a DeHavilland Beaver trying to take off from Lake Spenard, Anchorage, Alaska, It's really only at the last minute that the videographer realises that something is wrong and dives for cover.

Several websites have said how odd it is that it takes the man so long to realise there is a problem. They don't take into account the detached secure feeling that being behind a camera gives. I've mentioned before on the blog how photographers (war photographers especially) often hide, physically and mentally, behind the camera. They just feel safe, no matter what's happening around them. Concentrating on the action doesn't help either.

The NTSB are investigating, although nobody was seriously hurt. Just a shame that the lovely DeHavilland Beaver got wrecked.

On Facebook

Just a little post to say that Richard Flint Photography is FINALLY on Facebook. I finally decided to get a page on the popular social media website. Currently there are just three photo albums of work but more will be added this week. If you use facebook, please feel free to pop by, say hello and become a fan... oh go on... you know you want to. :o)

To visit Richard Flint Photography on Facebook.com click HERE

Shooting Regime

The sun setting at Burnham Overy Staithe, Norfolk, UK - July 2008

Over the last few days, I've been getting things in place for the forthcoming Norfolk trip. As usual it's been a process making mental notes of what i want to photograph - a sort of loose shooting list. After looking at the deluge of last year's images, I've come to the conclusion that i need to reduce the amount of photographs i take.

I often work quickly, after all time is money, but i think it's time that i slowed the picture taking process. With this in mind I've made a number of decisions regarding the coming Norfolk project. The main big change concerns the amount of film stock shot - it's going to be halved for this year. Quality and not quantity is what this is about. Tight image making control. Will it improve the quality of images i take? A very good question. I think it will.

What am i trying to achieve? Quite simply, I want to get a more concise control over my work - even though i was pleased with the photographs produced last year. More exposures, however, does not necessarily mean a greater number of super photographs. I think i can do better if i slow down. I tried this concise control approach on my trip to London, back in October, when i shot three rolls of film and was immensely pleased with the results. Less is more... as they say.

Salgado's Genesis

An iceberg in Antarctica, photographed in 2005- Image by Sebastiao Salgado

There have been a few comments on the web recently concerning the current state of photo-journalism. Many critics believe that there are far too many photo-journalists chasing too few types of stories - famine and war being two of the obvious favourites. Not so with Sebastiao Salgado. Salgado has decided to concentrate on the main 21st century battle for hearts and minds - the environment and the humanity's effect on the planet.

His latest, and possibly final eight year project that he is halfway through, has been to photograph fragile areas of the planet that have remained untouched. Salgado's images look at the environment and the cultures of places that have yet to be badly disturbed by human interference. The images make up a magnificent piece of work and could be viewed as Sebastiao Salgado's most important. Several of the wonderful images can be seen via this New York Times media slide show that can be viewed HERE

A rather good video conversation with Sebastiao Salgado can be found HERE. It is an hour long but well worth a watch, especially if you are interested in the idea of the photographer as an activist.